​Volume V. 

​Voice
                            Book I.  Solo Voice with Orchestra:
    
Book Ia. Story Cycles for Low Voice & Orchestra (See IV for dance options & III/IX)  
1.   Eurydice:  14 minute of cycle of  7 for low voice; 
​The text, in Latin, is by Boethius.This version has an unhappy ending. 
1a. Eurydice: with percussion, timpani and string orchestra.  
b1. Eurydice: with orchestra: 2+/2+/2+/2+  2/2/2/1  percussion, timpani, celesta, harp and strings.

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​1c. Eurydice: with piano; as cablecast as part of "Crazy Dinosaurs" on BNN-TV, with DEW performing the music.  To hear "Eurydice" and to see the scores to several of the songs please click on either of the two dinosaurs to the right:
2.   Remembrance of Love's Death: 
21 minute cycle of 12 songs; Emily Dickinson (uc); for low voice:
2a. Remembrance of Love's Death: with orchestra:  2/2/2   2/2/1/1   harp, percussion & strings. See the same selections in Volume III, Book ViII.
2b. Remembrance of Love's Death: with harp and double bass string quartet or string orchestra;
2c. Remembrance of Love's Death: with piano. 9 of the songs were performed by the composer with pianist, Eileen Feldman at 1st and 2nd Unitarian Society, Boston. Please click on Eileen Feldman to the right to hear the premiere and read the poems:
Eileen Feldman, pianist

Book Ib. Song Groups for Low Voice with Orchestra (See III/VII): 

1.    Cascando or Songs Of The Figate Bird:  12 minutes and 40 seconds: cycle of 4 songs for low voice to poems (under copyright (uc)) by Samuel Beckett. Unperformed.
1a.  Cascando: with percussion, timpani, harp, viola solo & string orchestra.  
1b.  Cascando: with harp and string quartet.  
1c.  Cascando:  with piano.

2.   Rain has Fallen: 14 minute cycle of 5; James Joyce; for low voice: 
2a. Rain has Fallen:  with orchestra:  2/2/2+/2+   2/2/0/2/1
2b. Rain has Fallen:  with piano: to be premiered by Hartmut Schulz at the Academia Arte in Vienna. This concert has been postponed due to covid. 

3.   2 Songs to Poems by James Joyce:  19 minutes; two songs for low voice, with interludes. Taken from "The Journey."  See IV/IV/2 and VII/IV/1. May be performed with "Three songs to Poems by James Joyce" by Merton Brown, soon to be orchestrated.
3a. 2 Songs to Poems by James Joyce: mallets, percussion, piano, optional harp, and D. B. string quartet or string orchestra.
3b. 2 Songs to Poems by James Joyce: with synthesizer.
3c. 2 Songs to Poems by James Joyce: with piano.

Book Ib. Groups of Spiritual Arrangements of Voice with Orchestra (See III/VII): 
3.   Deep River: 15 minute cycle of 9 spirituals.  
3a. Deep River: low voice and orchestra: 2/2+/2+/2+  2/2/1/1 percussion, timpani,
​harp and strings. 4 alternate versions of #3 including VI/III/4/1 & 7. See III/VII/3.
3b. Deep River: low voice and piano; 9 spirituals; the original version: 7 spirituals, first performed with pianist, Barbara Roth at The First Unitarian Society of Newton, MA.. "Wayfaring Stranger" performed by the composer with Leo Abbott, pianist.  
and heard on WBZ radio. The order doesn't matter; songs can be omitted at will. All of the songs are best suited for a low voice; except for "I got a robe" and "Swing low, Sweet chariot" which are better for a high voice. "I am a poor Wayfaring Stranger" can be done equally well by either a high or low voice.​
3a.  Deep River:  high voice with piano:  "Swing Low" was first performed by soprano, Dorothy Yanish, with pianist, Merton
Brown (Swing Low);

​Please click on the button below to hear this performance:
​
Dorothy Yanish, soprano
​​The complete cycle was premiered by Christopher Aaron
Smith, tenor, with pianist, Yelena Birayeva at Boston Metro
Opera on 1/27/12. This performance was first posted to celebrate
Martin Luther King Day, 2021. You can hear this performance
​by clicking on Dr. King (right):
Dr. Martin Luther King
3b. Deep River: selections performed by Sonante (soprano, Annalise Skovman with 'cello and guitar) version withheld.


                    Book II.  Two Solo Voices with Instruments: 

1.    yes:  4 and a quarter minutes; three duets for two high voices with clarinet or English horn; poem by e. e. cummings (uc).  

2.   Three Folk Songs: 7 minutes 40 seconds.​
2a. Three Folk Songs: for a high voice & a low voice with flute and guitar.Performed several times by The Putnam Court Musicians:  Kristin Webb, flute; Russell Southcott, guitar, soprano, Mary Saunders (#1 & #3)  and DEW, bass-baritone (# 2).​George W. Harper of Beverly Times wrote of this piece: ​"Easily the highlight of the concert were several arrangements by David Edgar Walther... Especially satisfying was Walther's setting of three familiar folk songs, a medley that managed to sidestep all the stereotypes with a version of Simple Gifts that owed absolutely nothing to Aaron Copeland's. Walther's touching arrangements of Long Time Ago set Mary Saunders' rich, soprano peeping through the lush harmonic haze of flute and guitar like the sun through the clouds.'  Please click on the buttons below to hear these folk songs:

                           Book III. Solo Voice with Instruments

Book IIIa.  High Voice with Instruments: 
1.   Echoes:  lyric high soprano & violin,viola, flute or clarinet; 3 minutes;  Hart Crane; premiered by soprano, Deborah Cole and violist, David Feltner & Music Now at Holy Trinity Armenian Church, Cambridge, MA. Heard numerous times on WHRB Radio. 

2a. Serenade and Fugue:  soprano and flute;  
4 and a half  minutes; poem by Thomas Hardy; performed several times by soprano, Mary Saunders & Kristin Webb, flute. ​To hear "Serenade Fugue" please click on the red button below:

2b. A Secret and a Thought:  30 seconds; "A Secret and a Thought" with poem by Ann Head (uc); for soprano and flute. The original manuscript my still be in South Korea; a soprano from Juilliard promised to send it back, but never did. She may also have performed it...  who knows?
2c. Sora Sono:  A withheld version for two sopranos included "A Secret and a Thought." It was performed in Rockport, MA by sopranos: Janet Wheeler and Charlotte Lord. The score is temporarily missing. Instrumental duo version: I/II/1.
​
3.   Five Valentine's Day Cards:  7 minutes and 45 seconds; for soprano, flute, harp and piano; Emily Dickinson; performed, in an earlier, withheld version by Eric Mazonsen, pianist, in Marblehead, MA. with soprano, Mary Saunders; Kristin Webb, flute; and Russell Southcott, guitar: The Putnam Court Musicians (PCM).
​
4.   Simples of The Moon: 10 minute cycle of 5 songs for soprano, flute & viola; Joyce. Unperformed.   

5.   Some Things That Fly:  7 songs for soprano, flute & guitar to poems by Emily Dickinson; 10 minutes & 35 seconds; 5 songs performed several times by The Putnam Court Musicians: Mary Saunders, soprano; Kristin Webb, flute and Russell Southcott, guitar To hear 3 of these Emily Dickinson Songs please click on the red button below:
                     Mary Saunders, soprano

​6.  Diptych: 12 minutes and 40 seconds; 3 movements; for soprano, flute, clarinet in Bb, bassoon, and piano; poem (probably) by Samuel Beckett (u.c.) The movements are 1. Unhinged I. Theme and Variations; 2. The Hinge: Song and Canon; 3. Unhinged II: Double Fugue. Performed by the Milestone Trio: flute, bassoon and piano (Phyllis Lehrer, piano) at Princeton University, in a withheld trio version without clarinet or soprano. Otherwise unperformed.
​
7.    Echo and Mirage:  13 minutes, 3 movements, Christina Rossetti. 
7a.  Echo and Mirage: with alto flute, clarinet in Bb, marimba, percussion, harp, piano, viola, and 'cello. Unperformed. 
7b.  Echo and Mirage: with flute, clarinet in Bb, violin, 'cello and piano. Unperformed. 
7c.  Echo and Mirage: with piano. Recorded by soprano, Nancy King with the composer, piano; otherwise unperformed.  
To hear "Mirage" the second of three movements as recorded by Nancy King, soprano with the composer, please click on the red to the below, or click on Ms. King's picture,
​to the right, above, to hear the movement and read the poem:


Book IIIb. Low Voice with Instruments:
1.   The Conqueror Worm: with violin, 5 minutes, The complete version of the poem "Ligeia" by Edgar Alan Poe. Unperformed. IVb. 3. "Last Murmurs of Ligeia" for low voice and piano, below, is a partial setting of the text.

2.   In a dat morning:  with 'cello & double bass;  8 minutes and 15 seconds: cycle 4 spirituals.  Unperformed.
​
3.  Echo's Bones: A 6 & three quarters minute cycle of 5 with 'cello; poems by Samuel Beckett (uc); four of the songs were performed by the composer with Priscilla Chew (right), at 1st and 2nd, Boston. Please click on the buttons below,
​or on Priscilla's 'cello to read the poems:
Priscilla Chew, 'cello
4.   In a dat morning:  with 'cello & double bass;  8 minutes and 15 seconds: cycle 4 spirituals.  Unperformed.

5.   Five Thoughts:  11 minutes & 45 seconds.
5a. Five Thoughts:  for low voice with double bass string quartet. 
5b. Five Thoughts:  for low voice with piano.
1.    A Thought:  2 minutes; Emily Dickinson. alternate version with guitar.
2.   all worlds have half-sight: very low voice; 3 minutes; e. e. cummings (uc).

3.   Crazy Dinosaurs: 
one minute and thirteen second theme song for the cable TV show, recorded by DEEW, cablecast on BNN-TV. To hear the theme song to "Crazy Dinosaurs" please click on the dinosaur to the right:
4.   Wondering:  2 minute song to Charles Schultz (uc) from "Snoopy" comic strip.
5.   A Thought:  as the first song.
​
                             Book IV.  Solo Voice with Piano: 

Book IVa. High Voice with Piano:
1.   Love Suicides at Sonezaki: 3 minutes; in Japanese, performed at The United Parish in Brookline, MA by mezzo-soprano, Shinobu Takagi, with pianist,  Darryl Cooper. Cablecast BNN-TV with animated netsuki as the video "Love Song" as part of "Crazy Dinosaurs" that was cablecast on BNN-TV. Withheld.

2.   De Profundis Clamavit: 3 minutes, premiered at The United Parish in Brookline, MA by Shinobu Takagi, mezzo-soprano and Daryl Cooper, pianist. See VI/III/I/1.

3.  Three Short Songs: 6 minutes; Emily Dickinson (uc), James Joyce and Robert Lewis Stevenson. See VI/IV/4/3. Unperformed.

4.  When The Heart is Full of Love: 8 minutes; 3 songs to anonymous poets.

​5.  The Steeple's Remembrance: 13 & a half minute cyclea of 10 songs, each depicting the ghost of a woman who has died; Dickinson (uc). Unperformed.


Book IVb. Low Voice with Piano: See also Book I above.
1.   Last Murmurs of Ligeia: 5 minute cycle of 3 songs excerpted from the poem "Ligeia" by Edgar Allan Poe. Performed and taped at BPL, by the composer. See complete setting of the poem below: "The Conqueor Worm" with violin above:  IIb/3.
2.  Three Portraits: 6 minutes;  performed several times with by the composer with pianist, Merton Brown. To hear "Three Portraits" please click on the buttons below; or to read the poems click on Mr. Brown:
1. Old Love: poem by William Butler Yeats:
2. Young Love: poem by Linda Ann Cecil (uc):
3. Secret Love: poem by Emily Dickinson (uc):
                               Merton Brown, pianist

3. Three Songs to Poems by James Joyce:  8 minute cycle of 3;  2 lost and incomplete;
​one available. Unperformed.  

 4. Songs of Summer or 6 Songs to Poems by William Blake: 10 minute cycle with text from "Songs of Innocence and Experience" by William Blake. Performed by mezzo-soprano, Susan Craft Larson and pianist, Yelana Birayeva with Boston Metro Opera on 1/27/12. You can hear this performance by clicking on the buttons below or click on Susan to hear them and read the poems::
Also performed by the baritones: Brett Johnson, at Andover Academy; and by Hartmut Schultz, in Bonn and Cologne, Germany in 2018. Also performed by the composer on many occasions with pianists: Merton Brown and Dr. Sam Walter. You can hear the composer's performance with Dr. Walter by clicking on Dr. Walter to the right. You can read the Blake poems there as well:
       Susan Craft Larson, mezzo-soprano
    Dr. Sam Walter, pianist and organist
5.  Chamber Music:  15 minute cycle of 5 songs, Joyce; Performed and recorded at: BPL, Old South, Boston, Colby College, ME, and many other times by the composer with pianists Merton Brown, Eileen Feldman,& Dr. Sam Walter.
 
6.  Great Streets of Silence: 16 minutes & 20 seconds: 9 songs;Dickinson (uc). Unperformed. 
​                                 
                               Book V.  Unaccompanied Voice
​
Book Va.  Unaccompanied for High Voice
1.   Dachshund: 47 seconds; poem by Jill Shapiro (uc). Unperformed.

2.  Mother Goose Songs: 3 minute & 15 second cycle of 7 songs in 100 notes;
​Poems from Mother Goose (1919). Unperformed.

3.  Night over Bass Rocks: 4 minutes & 40 seconds;  cycle of 3 songs to poems
by James Joyce. Written for my mother: Janet Wheeler Walter, for her birthday. Unperformed. 

4.  Cal'mus: 6.5 minute cycle of 4 gay love songs for tenor or baritone; ​poems by Walt Whitman from "The Leaves of Grass." Premiered by Christopher Aaron Smith (right) on 1/27/2012 with Boston Metro Opera. To hear "'Cal'mus" sung by Mr. Smith please click on the red button below:                 
      Christopher Aaron Smith, tenor
. 
​Book Vb.  Unaccompanied Low Voice:
1.   The Book of Runes:   written in Ireland; 3 cycles; contemporary plain song to poems by James Joyce.  See "The Journey" IV/IV/2 and VII/IV/1 for more contemporary plainsong.

​1a. The Folk Cycle: 15 minute cycle of 8 songs; 7 songs performed by the composer at The  Boston Public (BPL).   

1b. The Whole Tone Cycle: 4.5 minute cycle of 3 songs; performed by DEW at 1st & 2nd Unitarian n Boston.
​To hear the recording please click on the button below.
1c.  The Modern Cycle: 5 minute cycle of 3. The 2nd song is used & recorded in "The Journey" IV/IV/2 & VII/III/2, otherwise unperformed. 
   David Edgar Walther, ​bass-baritone

4.   A Tree: 49 seconds; Joyce Kilmer. Written for Virginia Harms, alto soloist for
​The Easter Show at Radio City Music Hall and my dear friend. Unperformed. ​
David Edgar Walther Copyright 2022