Listen To Orchestra
LIGHT
This double fugue for organ was premiered by Dr. Sam Walter when I was 17. I later orchestrated it, and
it was performed by The M. I. T. Concert Band under John Corely (below). The recording was used as the sound track for LIGHT. To watch LIGHT please click on either of the two dinosaurs below Mr. Corely: |
"Pale Horse, Pale Rider" is the last movement
of Symphony I (please see III/VIII/1) for Large Orchestra or Concert Band. It was used as the sound track for LIGHT: To see the score of the concert band version please us the PDF below: |
WATER DEATH
A story was taken from Fate Magazine: The captain of a ship murders his mutinous crew. He sees their faces on the waves. They rise from the depths. A piano sonata, performed by Carmen Rodriguez-Peralta, now a version for For large orchestra, finished on 4/17/21. To hear Ms. Rodriguez-Peralta's performance please click the red button below:
Please use the PDFs below to see the orchestral score of this piece:
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CLOUD BLUE
SCROOGE
scored for medium-sized orchestra, here presented with five musicians, and The Copley Square Ballet at The Strand Theater in Dorchester, MA. Please click on Marley's
Ghost to watch SCROOGE: Please click on the crowd below
to watch scene I of SCROOGE: |
Please use the PDF to see the orchestral
score of scene I of SCROOGE: please see III/I/9. |
BILLY GOATS GRUFF This 6 minute piece for string orchestra with percussion) is based on a Norwegian fairy tale collected by Peter Christen Asbjørrnsen and Jørgen Moe in their "Norske Folkeeventyr." The recording of the original piano version, as performed by Carmen Rodriguez-Peralta, was used as the sound track for "The Train" which appeared on BNN-TV as part of "Crazy Dinosaurs. Please use the pdf on the right to see the orchestral score; or click on the train or a dinosaur below to see the video with Ms. Rodriguez-Peralta's performance: |
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THE SILENT KNIGHT & LACE THE SILENT KNIGHT & LACEhese are the original versions of movements II. & V. of my Parody Symphony II: please see III/VII/2.THE SILENT KNIGHT & LACETHE SILENT KNIGHT & LACE To hear these two movements as performed on the harp by Michael Rafferty please click on the red
button below: |
To view the chamber symphony score of movements II & V, please use the PDF below:
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LUNAR ECLIPSE Performed by Christian Contreras, tenor saxophone, (below, left) and Yelena Beriyeva, piano, on 1/27/12 with Boston Metro Opera. See I/II/12
To see the score for tenor saxophone with percussion, harp, and strings, please use the PDF to the right: Please click on Christian Contreras, below, to listen to his performance of "Lunar Eclipse" |
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TIME
The first movement of my String Symphon (III/VI/2).
Please use the PDF below, to view the score:
Please use the PDF below, to view the score:
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I wrote time, as a piano solo, when I was age 17. It was later performed by Eileen Feldman with Music Now and then with Music Now and Now Dance; Please click on the button below to hear Ms. Feldman's performance:
CONCERTO FOR OBOE AND TRUMPET: SIX CHORALE PRELUDES
GDO
Finished on 9/6/21; After Samuel Beckett (picture below). Originally for two harps; as performed by Michael Rafferty and Firginia Crumb.
You can hear their performance, and read the orchestral score below:
Finished on 9/6/21; After Samuel Beckett (picture below). Originally for two harps; as performed by Michael Rafferty and Firginia Crumb.
You can hear their performance, and read the orchestral score below:
FIVE FINGER SYMPHONIES
completed on 9/21/21. Originally written as "Five Finger Exercises" where each had is assigned five pitches that remain constant for the whole movement. Used as the sound track for the animated soap-opera "Dynosaur" as seen on BNN-TV. Brought to you by "The Dancing Fingers' Project."
completed on 9/21/21. Originally written as "Five Finger Exercises" where each had is assigned five pitches that remain constant for the whole movement. Used as the sound track for the animated soap-opera "Dynosaur" as seen on BNN-TV. Brought to you by "The Dancing Fingers' Project."
MORE PIECES FOR ORCHESTRA BY DAVID EDGAR WALTHER: